Showing posts with label Arabic poetry. Show all posts
Showing posts with label Arabic poetry. Show all posts

Saturday, August 30, 2014

المتنبّي ألمَجْدُ عُوفيَ إذْ عُوفيتَ وَالكَرَمُ Al Mutanabbi Honor and dignity were rescued when you recovered



ألمَجْدُ عُوفيَ إذْ عُوفيتَ وَالكَرَمُ     وَزَالَ عَنكَ إلى أعدائِكَ الألَمُ
صَحّتْ بصِحّتكَ الغاراتُ وَابتَهَجتْ     بها المكارِمُ وَانهَلّتْ بها الدّيَمُ
وَرَاجَعَ الشّمسَ نُورٌ كانَ فارَقَهَا     كأنّمَا فَقْدُهُ في جِسْمِهَا سَقَمُ
وَلاحَ بَرْقُكَ لي من عارِضَيْ مَلِكٍ     ما يَسقُطُ الغَيثُ إلاّ حَيْثُ يَبتَسِمُ
يُسْمَى الحُسامَ ولَيستْ من مُشابَهَةٍ     وَكيفَ يَشتَبِهُ المَخدومُ وَالخَدَمُ
تَفَرّدَ العُرْبُ في الدّنْيا بمَحْتِدِهِ      وَشارَكَ العُرْبَ في إحسانِهِ العَجَمُ
وَأخْلَصَ الله للإسْلامِ نُصْرَتَهُ     وَإنْ تَقَلّبَ في آلائِهِ الأُمَمُ
وَمَا أخُصّكَ في بُرْءٍ بتَهْنِئَةٍ،     إذا سَلِمْتَ فكُلّ النّاسِ قد سَلِموا


Honor and dignity were rescued when you recovered and the affliction passed from you to your foes.
The forays resumed with your recuperation, it was celebrated with great deeds and cascades of heavy showers. 
The light that had left the sun, like an illness in its body, returned to it,
and your brilliance appeared to me from the grin of a king, except he smiles the rain will never fall.
He is named the Sword not on account of any comparability, for how can gladiator and gladius be compared.
The Arabs are unique in sharing his ancestry and everyone enjoys his compassion.
God has reserved his support exclusively for Islam even though all nations receive his benefits.
I do not single you out alone for apropos on recovery, when you are hale and hardy all people are hale and hardy.

translated into English by Mark F Westergreen
BY has a variant reading of حين for حيث in line 4

Saturday, June 14, 2014

الخنساء - اِذْ رابَ دهرٌ وكانَ الدّهرُ ريَّاباَ Al Khansa - When fate is fickle, eternity is an accident


يا عَينِ ما لَكِ لا تَبكينَ تَسكابا          اِذْ رابَ دهرٌ وكانَ الدّهرُ ريَّاباَ
فابْكي أخاكِ لأيْتامٍ وأرْمَلَة ٍ             وابكي اخاكِ اذا جاورتِ اجناباَ
وابكي اخاكِ لخيلٍ كالقطاعُصباً        فقدْنَ لَّما ثوى سيباً وانهاباَ
يعدُو بهِ سابحٌ نهدٌ مراكلهُ              مجلببٌ بسوادِ الَّليلِ جلباباَ
حتى يُصَبّحَ أقواماً، يُحارِبُهُمْ           أوْ يُسْلَبوا دونَ صَفّ القوم، أسلابا
هو الفتى الكامِلُ الحامي حَقيقَتَهُ        مأْوى الضّريكِ اذّا مَا جاءَ منتابَا
يَهدي الرّعيلَ إذا ضاقَ السّبيلُ بهم    نَهدَ التّليلِ لصَعْبِ الأمرِ رَكّابا
المَجْدُ حُلّتُهُ، وَالجُودُ عِلّتُهُ              والصّدقُ حوزتهُ انْ قرنهُ هاباَ
خطَّابُ محفلة ٍ فرَّاجُ مظلمة ٍ           انْ هابَ معضلة ً سنّى لهاَ باباَ
حَمّالُ ألويَة ٍ، قَطّاعُ أوديَة ٍ             شَهّادُ أنجيَة ِ، للوِتْرِ طَلاّبا
سُمُّ العداة ِ وفكَّاكُ العناة ِ اذَا            لاقى الوَغَى لم يكُنْ للمَوْتِ هَيّابا



Oh dear, what´s wrong with you, you are not wailing effusively enough! When fate is fickle, eternity is an accident!

Wail for your brother on behalf of orphans and widow! Wail when refugees arrive!

Wail for your brother on behalf of the horse, like sandgrouse gathering, since our loss remains forever, let it flow freely, surrendered as booty!

His steed´s swimming breast was unencumbered by its legs, cloaked by the black stealth of night,

until morning when he encountered an enemy patrol, he had to fight or they would have attacked, but without back up he was sacked.

He was Semper Fi, Esprit de Corps and certainly of uncommon valor, a protector of the defenseless - always.

He led the light cavalry when they were flanked and weary of their mission, shouldering the command over the downtrodden troops due to the difficulty of the order.

Glory settled upon him and liberality exalted him, the testimony to his reputation is that his opponent respected him.

Addressing a group of people he once settled a grievance that posed a potential problem through diplomacy.

Bearer of the standard, a Ranger navigating treacherous terrain, the testimony of a comrade,
"He took on all odds,

whether striking the enemy or liberating the prisoner, when he entered battle he was not afraid to stare Death straight in the eye!"



translated into English by Mark F Westergreen





Saturday, March 22, 2014

الخنساء إِنّي أَرَقتُ فَبِتُّ اللَيلَ ساهِرَةً al-Khansa I was sleepless, so I spent the night keeping vigil


                           
إِنّي أَرِقْتُ فَبِتُّ اللَيلَ ساهِرَةً 
 كَأَنَّما كُحِلَت عَيني بِعُوّارِ
أَرْعى النُّجومَ وَما كُلِّفتُ رِعيَتَها 
 وَتارَةً أَتَغَشّى فَضلَ أَطمارِ
وَقَد سَمِعتُ وَلَم أُبْجَحْ بِهِ خَبَراً 
مُحَدِّثاً جاء يَنْمى رَجْعَ أَخْبارِ
يَقولُ صَخْرٌ مُقيمٌ ثمَّ في جَدَثٍ 
لَدَى الضَّريحِ صَريعٌ بَيْنَ أَحجارِ
فَاِذهَب فَلا يُبعِدَنكَ اللَهُ مِن رَجُلٍ 
 تَرَّاكِ ضَيمٍ وَطَلّابٍ بِأَوْتارِ
قَد كُنتَ تَحمِلُ قَلباً غَيرَ مُهتَضَمٍ 
مُرَكَّباً في نِصابٍ غَيرِ خَوّارِ
مِثلَ السِنانِ تُضِىءُ اللَيلَ صورَتُهُ 
مُرُّ المَريرَةِ حُرٌّ وَاِبنُ أَحرارِ
فَسَوْفَ أَبكيكَ ما ناحَتْ مُطَوَّقَةٌ 
وَما أَضاءَتْ نُجومُ اللَيلِ لِلسَّارى
وَلن أُصَالِحَ قَوماً كُنتَ حَربَهُمُ 
  حَتّى تَعودَ بَياضاً جُؤنَةُ القارِى

I suffered insomnia, so I spent the night awake,
my eyes painted by Epiphora.
Observing the stars, uncompelled.
Hiding myself in a ragged robe.
For I´d heard unpleasant news,
one came, returning intelligence,
saying, "Rock resides in a grave,
at the tomb, thrown to the ground, amongst the stones".
May God keep you, being a man
who hated injustice and demanded requital.
You had a heart without malice,
combined with a powerful pedigree,
like a tracer whose arc lights up the night,
bitter in resolution, free, the son of free men.
I´ll weep for you as long as the dove cries and the night stars shine.
I will not reconcile with a people with whom you were at war
until hell freezes over!

The version of the poem presented here is given by al-Buhturi.

Translated into English by Mark F Westergreen



Saturday, February 15, 2014

المتنبّي وقال في صباه ارتجالا Al Mutanabbi verses recited in his youth




أَىَّ مَحَلٍّ أَرْتَقِى أىّ عَظيمٍ أَتَّقِى
وَكُلُّ ما قدْ خَلَقَ اللهُ وما لم يَخْلُقِ
مُحْتَقَرٌ في هِمَّتى كَشَعْرَةٍ في مَفْرِقِى



To what station shall I ascend?
What severity shall I safeguard myself against?
For everything that God has created and that he has not created
is as contemptible in my high aiming ambition
as a single hair upon the crown of my head!

translated into English by Mark F Westergreen









Sunday, February 2, 2014

بشار بن برد طال ليْلِي مِنْ حُبِّ Bashar ibn Burd, The night lingers for love of one who






طال ليْلِي مِنْ حُبِّ مَنْ لا أَرَاهُ مُقَارِبِي
أبداً ما بدا لعيـنكَ ضوءُ الكواكبِ
أو تغنَّت قصيدة ً قَيْنَة ٌ عِنْدَ شَارِبِ
فتعزَّيتُ عن عبيـدة والحبُّ غالبي
تِلْكَ لوْ بِيعَ حُبُّهَا ابْـتَعْتُهُ بِالْحَرَائبِ
وَلَو اسْطَعْتُ طائعاً فِي الأُمورِ النَّوَائب
لفَدَاهَا مِنَ الرَّدَى هاربي بعد قاربي
عتبت خلَّتي وذو الحــحُبِّ جَمُّ الْمَعَاتِبِ
من حديثٍ نمى إليـها بهِ قولُ كاذب
فتقلَّبتُ ساهراً  مقشعرَّ الذًّوائبِ
عجباً من صدودها وَالْهَوَى ذُو عَجَائبِ
ولقد قلتُ والدُّمـعُ لباسُ التَّرائبِ
لو بدا اليأسُ من عبيـدة َ قد قامَ نادبي
عَبْدَ باللَّه أطْلِقِي من عذابٍ مواصبِ
رَجُلاً كانَ قَبْلكُمْ رَاهِباً أوْ كرَاهِبِ
يَسْهَرُ اللَّيْلَ كُلَّهُ نظراً في العواقبِ
فثناهُ عنِ العبــادَة ِ وَجْدٌ بِكاعِبِ
شغلتهُ بحبِّها عن حسابِ المحاسبِ
عَاشِقٌ لَيْسَ قَلْبُهُ مِنْ هَوَاهَا بِتَائبِ
يشتكي من فؤادهِ مِثْل لسْع الْعَقَاربِ
وكذاك الْمُحِبُّ يَلْقَى قى بذكرِ الحبائبِ
ولقد خفتُ أن يروحَ بنعشي أقاربي
عَاجِلاً قَبْل أنْ أرَى فِيكمُ لينَ جَانِبِ
فإذا ما سمعتِ باكِيَة ً مِنْ قَرَائِبِي
ندبت في المسلِّباتِ قَتِيل الْكوَاعِبِ
فاعلمي أنّ حبَّكم قادني للمعاطبِ



The night lingers for the love of one I know will not approach me.
Never, so long as the stars appear to your eyes,
or a stripper dances to a song for a drunken patron,
will I find consolation on account of Abbey. Her love so overpowers me,
were it for sale I would willingly give everything I have to purchase it,
were I capable in matters of fate and fortune
to rescue her from ruin, and not worthless.
My mistress accused me, and the lover stands fully accused,
because of a tale told to her by a liar.
So I tossed and turned restless, my hair cold with sweat,
wondering at her rejection, and desire is full of wonders,
And I said, with tears covering my chest,
"If I despair on account of Abbey, I am good as dead."
Oh Abbey, for god´s sake set me free from this unending torment.
A man who, before you came on the scene was a monk or like a monk,
distracted the entire night, considering the consequences.
Then desire for a buxom breasted beauty distracted him from divine service,
she diverted him with her love from the reckoning of the Reckoner.
A lover, whose heart will never repent of desire for her,
suffering in his heart as if bitten by scorpions.
So the lover keeps from mentioning the flirtations
for fear that my own people should immediately carry out my killing,
before I see your tender side.
So when you hear a wailing cry from one of my female relatives, 
among the black robed women over one killed by buxom breasted beauties,
know that your love drove me to destruction.

translated into English by Mark Westergreen

Saturday, February 1, 2014

The man burdened with desire Abu Nuwas حامل الهوى أبو نواس


أبو نواس
حامل الهوى تعب يستخفّه الطّرب
إن بكى فحق له ليس ما به لعب
كلّما انْقضى سبب مِنْكِ عاد لي سبب
تضْحكين لاهية والمحبّ ينتحب
تعْجبين مِنْ سقمي صحّتي هي العجب


Abu Nuwas
The man burdened with desire is undone, he is beside himself with joy.
If he bawls then it is his due, what he bears within himself is no joke.
Each time a justification expires, you provide me with another.
You laugh lightly, while the lover is wailing.
You´re amazed at my emaciation, my wellness is the wonder.


translated into English by Mark Westergreen

line 2 follows the variant reading fa-khaqqa for yakhiqqu
 v.; ´Abd al-Hamid´s edition of Ibn Khallikan (Cairo, 1367/1948), I, 374 
and overcomes the grammatical irregularity of an imperfect following a perfect in the apodosis of a conditional sentence.
Ibn Khallikan states that this was this first poem composed by Abu Nuwas
A.J Arberry Arabic Poetry a Primer for Students

Sunday, September 29, 2013

بشار بن برد: قَدْ لاَمنِي فِي خَلِيلَتِي عُمَرُ Bashar ibn Burd, I was rebuked




قَدْ لاَمنِي فِي خَلِيلَتِي عُمَرُ                 وَاللَّوْمُ فِي غَيْرِ كُنْهِهِ قَدَرُ
قال أفق قلتُ لا فقال بلى
             قد شاع في الناس عنكم الخبر
فَقلْتُ إِنْ شَاعَ مَا اعْتِذَارِيَ مِـ
          ـمَّا لَيْسَ لِي فِيهِ عِنْدَهُمْ عُذُرُ
لا أكتم الناس حب قاتلتي
               لاَ لاَ وَلاَ أكْرَهُ الَّذِي ذَكَرُوا
لُومَا فَلاَ لَوْمَ بَعْدَهَا أبَداً 
                 صاحبكم والجليل محتضرُ
قم قم إليهم فقل لهم قد أبى               وقال لا لا أفيقُ فانتحروا
مَاذَا عَسَى أنْ يَقُولَ قَائِلُهُم              وذا هوى ً ساق حينهُ القدرُ
يا قَوْمِ مَا لِي وَمَا لَهُم أبَداً              يَنْظُرُ في عَيْبِ غَيْرِه الْبَطِرُ
يَا عَجَباً لِلْخِلاَفِ يَا عَجَباً           بفي الذي لام في الهوى الحجر
ما لام في ذي مودة ٍ أحدٌ                  يُؤْمِنُ باللّهِ قمْ فَقَدْ كَفَرُوا
حسبي وحسبُ التي كلفت بها          مني ومنها الحديث والنظرُ
أوْ قُبْلَة ٌ فِي خِلاَلِ ذَاكَ وَلاَ                 بَأسَ إِذَا لَمْ تُحللِ الأُزُرُ
أوْ لَمْسُ ما تَحْتَ مرْطِهَا بِيَدِي          والباب قد حال دونه الستر
والساق براقة ٌ خلاخلها              والصوت عالٍ فقد علا البهر
واسترخت الكف للغزال           وقالـت اله عني والدمع منحدرُ
اذْهَبْ فَمَا أنْتَ كالَّذِي ذَكرُوا               أنْتَ وَرَبِّي مُعَارِكٌ أشِرُ
وغابت اليوم عنك حاضنتي            فاللَّهُ لِي الْيَوْمَ مِنْكَ مُنْتَصِرُ
يا رب خذ لي فقد ترى ضعفي        من فاسق الكف ما له شكر
أهوى إلى معضدي فرضضهُ             ذو قوة ٍ ما يطاق مقتدر
يلصقُ بي لحنة ً له خشنت                  ذَاتَ سوَادٍ كَأنَّهَا الإِبَرُ
حَتَّى اقْتَهَرْنِي وَإِخْوَتِي غَيَبٌ         وَيْلِي عَلَيْهِمْ لَوْ أنَّهُمْ حَضَرُوا
أقسمُ بالله ما نجوت بها                 إذهب فأنت المسور الظفرُ
كيف بأمي إذا رأت شفتي            وكيف إن شاع منك ذا الخبرُ
أم كيف لا كيف لي بحاضنتي           يا حِبُّ لَوْ كَانَ ينْفَعُ الْحَذَرُ
قلتُ لها عند ذاك يا سكني                لا بأس إني مجربٌ حذرُ
قولي لهم بقة ٌ لها ظفرُ                 إن كان في البق ما له ظفرُ




Omar rebuked me for my girl friend and the rebuke was decided upon with others of his ilk.

He said, "Get up!", I said, "No.", then he said, "Yes, but of course, the report about you is already popularized among the people."

So I said, "If it´s popularized, why should I apologize? I had nothing to do with it. They have  
an - no alibi.

I don´t hide from the people a love for my executioner. No, no, I don´t hate the one they mention.

Never rebuking her, while your buddy and Beauty are dying!

Get up, turn on them, and tell them ´desist already´!" But he said, "No, if I don´t come too, then they have already hanged themselves!"

"What should their advocate claim? Predestination urged on the passion!

Oh people, what is wrong with us, the discontented always finding fault in the other?

How strange? On the contrary, how odd? In the mouth of this one censure for forbidden pleasure.

No one believing in God rebukes this friendship, rise up, but already they disbelieve!

My esteem and the extent to which I fell in love with her, is a private matter, the conversation and the contemplation,

or a kiss during which, but never mind if you will not absolve the weakness*,

or petting what´s under her dress with my palm, the guard at his post,

the thigh intentionally flashed, her ankle bracelets and voice elevated, the belabored breathing.

I relaxed the hand for the spinner, and she said, "make passionate love to me" tears flowing down.

"Get out of here, for you are not as they say, you, by god, are an arrogant prick!"

"She was absent from you the entire day, bitch! Because God was victorious over you on that day on my behalf.

Oh lord, lead me, for you know my weakness. What thanks is there for a fornicating fingerer?

I grab my backer so he´s gratified. Such potency, he´s not able to bear up under this talented power.

On account of it a pun has stuck to me "Roughy", such a defamation as if I were the Bed of Nails.

Even if I subdue myself and fraternize secretly undercover, it would overpower them, if they were present.

I swear by God she didn´t even attempt to save herself!" "Get out of here, for you the fingernail is clipped!**

How will it be for my mother when sees my lip? And how will it be if this news about you is popularized?

Or how, no, how for me? Come, into my arms, oh love, if it is to be, caution needs to be exercised."

I said to her at that moment, "Honey, it´s alright, I´m experienced, and cautious.

Tell them, it´s from a bedbug, but the Bedbug no longer has a nail."

___________________________________________________________________

translated into English with comments by Mark Frederick Westergreen

Background Information: A long fingernail was a sign of a powerful and successful man. To have someone else clip your nail was to be put in your proper place and humiliated by one of a higher rank (v. Lane)

* the term is also its own antonym, and means "strength"
** could also be rendered as: "the victor is vanquished, or hedge in"

References: Line 10 of this poem references the Qur’an 63.3, from the Sura "the Hypocrites".

I have to plug both ArabicAlmanac & Adab



Monday, July 22, 2013

بشار بن برد -- كل امرئٍ نصبٌ لحاجته -- Bashar ibn Burd -- Every one a cairn to his business

كل امرئٍ نصبٌ لحاجته       وعَلَيْهِ يُحْمَلُ أوْ لَهُ نَصَبُهْ
فاربع على خلقٍ لهُ خطرٌ   فِي الصَّالِحِينَ يَفُوزُ مُحْتَسِبُهْ
عيُّ الشريف يشينُ منصبهُ    وتَرَى الْوَضِيعَ يَزِينُهُ أدَبُهْ
وحراثة التقوى لمحترثٍ        كَرَمُ الْمَعَادِ وَمَا لَهُ حَسَبُهْ
وتَنَقُّصُ الْمَوْلَى مَوَالِيَهُ           عَارٌ يَكُونُ بِوَجْهِهِ نَدَبُهْ
وإذا نسيبكَ غلَّ ساعدهُ          ونأى فليس بنافعٍ نسبه
ومِنَ الْبَلاَء أخٌ جِنَايَتُهُ             عَلَقٌ بِنَا وَلِغَيْرِنَا نَشَبُهْ
خُذْ مِنْ صَدِيقِكَ غَيْرَ مُتْعِبِه        إن الجواد يؤودهُ تعبه
وَاسْتَغْنِ بِالْوَجَبَاتِ عَنْ ذَهَبٍ    لَمْ يَبْقَ قَبْلَكَ لاِمْرِىء ٍ ذَهَبُهْ
يَرِدُ الْحَرِيصُ عَلَى مَتَالِفِهِ         واللَّيث يبعثُ حتفهُ كلبهْ



Every one, a cairn to his business, either he carries it out, or for him there will be a calamity!
Therefore a residence over people is a danger for him, with good works he can win a reward in the hereafter. 
The governor is impotent, he discredits his position, observe the plebeian adorning himself with propriety,  
cultivating piety to earn the munificence of the afterlife and what it will pay him.
The patron’s following decreases, dishonor is a scare upon his face.
If a relative refuses his relief and remains remote then there is no return from the relationship.
The curse of a brother, his crime, blood clings to us but to our neighbors he is committed.
Taking effortlessly on account of your association, the generosity burdens him to the point of discomfort.
He has no need with portions of gold, but he will not give gold to another in your presence.
The one bent on his removal repays, the one in charge has the dog put down!
 __________________________________________

English Translation by Mark F Westergreen

A great resource for arabic linguists

Thursday, May 2, 2013

Al Mutanabbi: At the siege of Antioch المتنبي


إذا غامرْتَ في شَرَفٍ مَرومِ فلا تَقْنَعْ بما دونَ النُّجومِ
فَطَعْمُ الموْتِ في أَمْرٍ صَغيرٍ كَطَعْمِ الموْت في أَمْرٍ عَظيمِ
سَتَبْكِى شَجْوَها فَرَسي وَمُهْرِى صَفائِحُ دَمْعُها ماءُ الجُسومِ
قَرَبْنَ
النَّار ثُمَّ نَشَأْنَ فيها كَما نَشَأَ الْعَذارَى في النَّعيمِ
وَفارَقْنَ الصَّياقِلَ مُخْلَصات وَأَيْديها كثيراتُ الْكُلومِ
يَرَى الجُبَنَاءُ أَنَّ الْعَجْزَ عَقْلٌ وَتِلْكَ خَديعَةُ الطَّبْعِ اللَّئيمِ
وَكُلُّ شَجاعَةٍ في المَرءْ تُغْنِى وَلا مِثْلَ الشَّجاعَةِ في الحَكيمِ
وَكَمْ مِنْ عائِبٍ قَوْلاً صَحيحًا وَآفَتُهُ مِنَ الْفَهْمِ السَّقيمِ
وَلَكِنْ تَأْخُذُ الآذَانُ مِنْهُ عَلَى قَدْرِ الْقَرائِحِ والْعُلومِ



When you risk everything out of an urge for eminence accept nothing less than the universe
for the sting of death is the same in a small undertaking as in a great one.

Sword blades cry grief filled tears for my mare and colt.
They enter the fire then emerge like virgins in felicity.
They leave purified, the polishers´ hands full of wounds.

Cowards consider weakness intelligence but that’s a contrivance of a weak nature.
Every act of courage in oneself enriches one, but none more than a wise courage.
How many a critic criticizes a sound statement, but the critic complains out of a sick sense.
One understands only according to one´s ability and learning.

translated into English by Mark F Westergreen

COMMENTS_______________________________________________________________

Al Mutannabi is considered to be one of the greatest Arabic poets, if not the greatest ever.
Many lines from his poems have come to be adages and proverbs within the Arabic language. I would like to think that his servant possibly quoted the second line of this poem to him when he wanted to flee the robbers that ended up taking his life. Of course the source in Wikipedia is in need of a citation, and Al Mutanabbi certainly had better lines than it. Still, it is very easy to remember for those interested in the memorization of poetry.

Line 2 is an example of Tabiq or Antithesis. A more literal translation:

“For the taste of death in a small matter is as the taste of death in a great matter”

The metre of the poem is wafir.


Lines 3-5 refer to the making of swords in a foundry. The term صَفائِحُ means "sides/plates".

Arberry translates the phrase ماءُ الجُسومِ as “water of the body", but in a footnote says,
sc. "blood" but offers no citations. Perhaps it actually has something to do with the process 
of forging a sword. "They" lines 4 and 5 refer to the sword blades. 
In line 5 the term مُخْلًصات “purified” refers to the swords being purified of alloy
They leave the foundry purified, having wounded the polishers, not so the virgins

Thursday, April 11, 2013

بشار بن برد يا صاح قم Bashar ibn Burd, Comrade, get up




يا صاح قمْ فاسقني بالكأس إعرابا ولا تُطعْ عاقباً فينا وعقَّابا
إنّ الهوى حسنٌ حتَّى تدنِّسهُ فاطْلُبْ هَوَاكَ سَتيراً وارْعَ أحْبابا
واحفظ لسانك في الواشين إنَّ لهمْ عيْناً ترُودُ وتنْفيراً وإِلْهابا
لا تغش سرَّ فتاة ٍ كُنْتَ تألفُها إنَّ الكريم لها راعٍ وإن تابا
واسعدْ بما قال في الحلم ابنُ "ذي يزنٍ" يلهو الكرامُ ولا ينسون أحسابا
جَدُّ امْرىء ٍ جَارَهُ من كلِّ فاضحة ٍ فانهض بجدٍّ تنلْ جاهاً وإكسابا
قدْ شفَّني حزنٌ ضاق الفواد ُبه وسرَّني زائرٌ في النَّوم منتابا
باتت عروساً وبتنا معرسينَ بها حتَّى رأينا بياضَ الصُّبح منجابا
وقائلٍ :نامَ عنْ "أسماءَ" شاكية ً لا نَوَّمتْ عيْنه إِنْ كان كذَّابَا
ما زلْتُ في الْغَمِّ من وِرْدٍ يُقلِّبُها كأنَّني فيه لا ألقى له بابَا
بلْ كيْف أُسقى علَى الرَّيْحان مُتَّكئاً وقدْ تعلَّقتُ من "أسماءَ" أسبابا
عاد الهوى بلقاء الغرِّ منْ "جشمٍ" يمشين تحت الغمام الغرِّ أترابا
علِّقتُ منهنَّ شمسَ الدَّجن أو قمراً غدا لنا لابساً درعاً وجلبابا
لا أشْتهي بهواهُ جِنَّة ً أُنُفاً ولوْ تَدَلَّتْ لنا تِيناً وأعْنَابَا
للَّه دَرُّ فتاة ٍ منْ بني «جُشم» ما أحْسنَ الْعيْنَ والْخدَّيْن والنَّابَا
تريكَ في القول جشَّاباً وإنْ ضحكتْ أرتك من ثغرها المثلوج جشّابا
بدا لنا منظرٌ منها اعتبرتُ به وشاهدُ المسك يلقى الأنف ما غابا
قدْ زُيِّنتْ بالْمُحيَّا صُورة ً عجباً وزانها كفلٌ رابٍ وما عابا
إذا رآها نساءُ الحيِّ قلن لها: سُبْحان منْ صاغها! يُغْرقْن إِطْنابا
كأنَّما خُلقتْ منْ جِلْد لُؤْلُوة ٍ نفساً من العطرِ إنْ حرَّكتها ثابا
يطيبُ مسوكها منْ طيب ريقتها وإنْ ألمَّ بجلدٍ جلدها طابا
تلْك التي أرْجَلَتْني بالْهوى سنة ً وكُنْتُ للْمُهْرة الْحسْناء رَكَّابا
لم أنسها طالعتْ منْ تحت كلَّتها فأعْلقتْ عامرِيًّا بعْد ما شَابَا
يا «أسْم» جُودي بِمْعرُوفٍ نعِيشُ بِهِ ولا تكُونِي لنا حرْباً وأوْصابا
واللهِ أنْساكِ يا «أسْماءُ» ما طَرفَتْ عيني وما قرقرَ القمريُّ إطرابا



Friend, get up and give me a drink in a glass like a real Arab, not keeping tabs amongst us and punishing.
The pleasure is fine until you debase it, demanding your secret desire and scarring loved ones.
Keep your tongue from scorning what they hold dear, seducing, estranging, and setting ablaze.
Don´t kiss and tell if you are intimate with her, (let it be) honorable, admirable and imploring.
Be happy with that crazy comment of “Yazan´s” son, The noble ones love to have fun but do not forget about their reputations.
Always bringing up the complaints of his kinsmen on account of every dishonor, in order to raise anew that you bestow respect and presents.
Certainly my lips are grieved and my heart saddened, my secret visitor in sleep exposed.
She was the bride and we were the grooms for her, until we saw the light of dawn penetrating.
Someone said, "forget, what´s his name,  the accused,  his can´t be lulled to sleep" - that´d be perjury.
I´m still upset from his arrival with roses, she fell head over heels for him, it caused me to not greet him at the door.
Nay how could I drink at his departure, being burned, yet being devoted to what´s his name, and for self-purposes. 
The pleasure returned in the risky rendezvous with Fatty, walking under perilous clouds, paramours.
I keep some of them tied up and waiting - domesticated suns or moons, we have tomorrow to wear armor and a pinafore.
Don´t be seduced by his pleasure garden - refuse, but figs and dates if it is us you want to pamper.
How excellent a girl of the Gush family, what´s better her eyes, cheeks or pearly whites?
She describes you in biting terms, ridiculing you in laughter with her ice cold lips -bitterly.
To us she certainly made a scene, I learned a lesson from him, witnessing the groveling conclusion and surrendering of pride - what a finale!
She dolled herself up into a striking image, compared to that her ass is used and only worthy of abuse.
When the women of the tribe on seeing her say „her shape is sublime“ they are engaging in exaggeration.
As if she were a string of pearls, or a drug that excited them and set them erotically dancing.
The musk of her sweet sweat is pleasing, yet it pains me to whip her hide for the pleasure.
This is the year in which I became a man acquainted in the ways of pleasure, and for that filly I was the best rider.
I will not forget her climbing up from down under and pouring herself out, her breasts suspended, after that I was a man.
May the reputation of my generosity be famous as long as we live, so don´t be enraged at us or pained.
and may God cause you, whatever your name is, not to forget, for one moment, the pleasure.

translated into English by Mark F Westergreen






Wednesday, March 27, 2013

Samaw'al ibn 'Adiya, Al-Ḥamasa السموأل بن عادياء‎ שמואל בן עדיה





إذا المرء لم يدنس من اللوم عرضُهُ فكلُّ رداءٍ يرتديه جميلُ
وإن هو لم يَحْمِلْ على النفس ضَيْمْها فليس إلى حسن الثناء سبيل
تُعَيِّرُنا أنّا قليلٌ عديدُنا فقلتُ لها إنّ الكرام قليل
وما قلّ من كانت بقاياه مِثْلَنا شبابٌ تَسَامَى للعُلا كهول
وما ضَرَّنا أنّا قليلٌ وجارُنا عزيزٌ وجارُ ألاكثرين ذليل
لنا جَبَلٌ يحتلّه من نُجيره منيعٌ يَرُدُّ الطرفَ وهْو كليل
رسا أصلُه تحت الثرى وسما به إلى النجم فرعٌ لا يُنال طويل
وإنّا لقومٌ ما نرى القتل سُبَّةً إذا مارأتْه عامرٌ وسَلُول
يُقَرِّبُ حبُّ الموت آجالَنا لنا وتكرهه آجالُهم فتطول
وما مات منّا سيّدٌ حَتْفَ أنْفِه ولا طُلَّ منّا حيث كان قتيل
تسيل على حدّ الظبات نفوسُنا وليست على غيرالظبات تسيل
صَفَوْنا فلم نكدر وأخلص سرَّنا إناثٌ أطابت حملَنا وفحول
عَلَوْنا إلى خير الظهور وحَطَّنا لوقت إلى خير البطون نُزُول
فنحن كماء المُزْنِ ما فى نِصابنا كهامٌ ولا فينا يُعَدُّ نخيل
ونُنكر إن شئنا على الناس قولّهم ولا ينكرون القول حين نقول
إذا سيّدٌ مِنّا خلا قام سيّدٌ قَؤُولُ لما قال الكرامُ فَعُول
وما أُخْمِدَتْ نارٌ لنا دون طارق ولا ذمّنا فى النازلين نَزِيلُ
وأيّامُنا مشهورةٌ فى عدوّنا لها غُرَرٌ معلومةٌ وحُجُولُ
وأسيافُنا فى كّل غربٍ وشرقٍ بها من قراع الدارعين فلول
معوَّدةً أن لا تُسَلَّ نِصالها فتُغْمَدَ حتّى يُستباحَ قبيل
سَلىِ إن جهلتِ الناس عناّ وعنهمُ وليس سواءً عالمٌ وجَهول
فإنّ بنى الديّان قطبٌ لقومهم تدور رحاهم حولهم وتجول




When a man´s honor is not defiled by baseness, then every cloak he cloaks himself in is comely.

And if he has never constrained himself to endure despite, then there is no way to goodly praise.

She was reproaching us, that we were few in numbers, so I said to her "Indeed, noble men are few.

Not few are they whose remnants are like to us - youths who have climbed to the heights, and old men too.

It harms us not that we are few, seeing that our kinsman is mighty, whereas the kinsman of the most part of men is abased.

We have a mountain where those we protect come to dwell, impregnable, turning back the eye and it a-weary.

Its trunk is anchored beneath the soil, and a branch soars with it to the stars, unattainable, tall.

We indeed are a folk who deem not being killed a disgrace, though Amir and Salul may consider it.

The love of death brings our term near to us, but their term hates death, and is therefore prolonged.

Not one sayyid of ours ever died a natural death, nor was any slain of ours ever left where he lay unavenged.

Our souls flow out along the edge of the sword blades, and do not flow out along other than sword blades.

We have remained pure and unsullied, and females and stallions who bore us in goodly fame kept intact our stock.

We climbed on to the best of backs, and a descending brought us down in due time to the best of bellies.

We are as the water of the rain-shower, in our metal is no bluntness, neither is any miser numbered amongst us.

We disapprove if we will of what other men say, but they disavow never words spoken by us.

Whenever a sayyid of ours disappears, a sayyid arises, one eloquent to speak as noble men speak, and strong to act moreover.

No fire of ours was ever doused against a night-visitor, neither has any casual guest alighting found fault with us.

Our days are famous amongst our foes, they have well-marked blazes and white pasterns,

and our swords in all the west and east have been blunted from smiting against armoured warriors;

their blades are accustomed not to be drawn and then sheathed until the blood of a host is spilled.

If you are ignorant, ask the people concerning us and them, and he who knows and he who is ignorant are not equal."

Surely the Banu ´l-Daiyan are as a pole for their people, their mills turn and rotate around them.
__________________________________________________________________________________
English translation taken and slightly modified from A.J. Arberry´s Arabic Poetry a Primer for Students

The poem is full of a vibrant machismo which extols the excellence of the Banu `l-Daiyan while hurling impertinent insults and invective against the opponent and enemy. It encompasses and preserves an idealized, aristocratic, masculine, warrior ethos. In the end, it is a response to an insult hurled by an unnamed and unknown woman. While the Banu ´l-Daiyan are as a pole for their people, their mills turn and rotate around them this poem turns and rotates around this unnamed woman´s insult.  

Arabic poems usually name the women which appear in them, e.g.; the idealized beloved of the poet, but not so in this poem.  Her insult you are few implies so much more: you are small, weak, pathetic, cowardly, easily conquered, etc., etc.Of course the response to this one, little insult is the remainder of the poem filled with its bravado and hyperbole. In the process an idealized image and ethos of what it means to be a male member of the Banu `l-Daiyan emerges. Was she a member of the warring tribe and enemy coming out to meet them in battle? Was she a recent captive, the booty and spoils of war, or was she a member of the Banu `l-Daiyan, some one´s wife or concubine? Of course, not naming her is also a tactic of the poet. She is the antithesis of the Beloved, she is the Unbeloved, the Slanderess. Her insult serves as the occassion for this poem, and excepting that, she is best forgotten. 

All of Arabic poetry of the Jahiliyya has been highly redacted, if not, outright created by the early Grammarians. The poem is highly stylized and we will likely never know if Samaw'al ibn 'Adiya wrote this poem, it was written to celebrate him, or has nothing to do with him at all and it was only attributed to him out of tradition. Arberry and other sources mention that Amir and Salul are rival tribes, and Samaw'al ibn 'Adiya may not have even been a member of the Banu `l-Daiyan The reference "We have a mountain..." may or may not be a reference to Samaw´al´s castle near Taima.

 

Wednesday, March 13, 2013

بشار بن برد - منَ المشهورِ بالحبِّ "Whoever would be Renowned in Hanky-Panky" by Bashar ibn Burd

منَ المشهورِ بالحبِّ إِلَى قَاسِيَة ِ الْقَلْبِ
 سَلاَمُ اللّه ذِي الْعَرَشِ على وجهكِ ياحبِّي
فأمَّا بعدُ يا قرَّة َ عيني ومنى قلبي
ويا نفسي التي تســكُنُ بَيْنَ الْجَنْبِ والْجَنْبِ
لقدْ أنكرتُ يا عبدَ جفاءً منكِ في الكتبِ
أعَنْ ذَنْبٍ وَلاَ واللَّهِ مَا أحْدَثْتُ مِنْ ذَنْبِ
ولاَ والله ما في الشَّرْقِ منْ أنثى ولاَ الغربِ
سِوَاكِ اليوم أهواها على جدِ ولا لعبِ


Whoever would be renowned in hanky-panky, ought to become hardhearted.
Your semblance is the peace that surpasses all understanding, honey.
So then, my darling and the destiny of my heart,
Yeah even my soulmate who resides here within this home.
Certainly I don´t know what you mean, Abbey, the messages from you were so harsh.
A howler? No, by God, what have I made for a howler?
No, by God, not in the East, nor in the West, there is no handmaiden
except you. Today I dropped her, in all seriousness and no hoax.*

translated by Mark F Westergreen

Meaningful glances alone can still be ambiguous or unsatisfying. Gifts are more substantial, and as fetishists go, few can outdo the lover who dropped her used toothbrush that Bashar ibn Burd picked up. The grateful poet said, "I kissed the thing that touched her mouth, and wished I were it."

*the last line can also be read:

Today I picked up your toothbrush, in all seriousness and it didn't dash hopes.